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Best New Band 2008


0 CommentsPosted on Wednesday, May 7th, 2008

Spitfire pseudo-preachers, sexy-spastic frontwomen, ghosts and dream weavers—they’re all here in Willamette Week’s fifth annual Best New Bands issue. But first things first: Just so we’re clear, WW does not pick the winner, or even the top 10. Neither do most of you. That task is left to a very unscientific pool of local music […]

The Downside Of Up


5 CommentsPosted on Wednesday, May 7th, 2008

A visit to Starfucker’s MySpace page reveals the words “music should never be a competition.” It’s clearly a subtle (or not so) jab at Willamette Week’s annual Best New Band poll by this year’s second-place act (see profile). Though such grumbling initially felt like a slap in the face to us local-music-loving Best New Band […]

Past Best New Bands at a Glance


1 CommentPosted on Wednesday, May 7th, 2008

2007: The Shaky Hands
Last year’s Best New Band poll saw jangle-pop quintet the Shaky Hands take the title—and boy have they run with it. The half-hippie/half-rawk outfit threw down at last year’s MusicfestNW, nabbed a spot opening for mega-popular neighbors the Shins last fall, scored play on MTV2 with its Oregon Coast-set video for […]

Swan Songs: Two experimental giants—Inca Ore & Yellow Swans—bid Portland adieu.


0 CommentsPosted on Wednesday, April 30th, 2008

One can imagine that the uninitiated, stumbling upon an Inca Ore performance for the first time—witnessing a pixielike young woman hunched over a keyboard, crooning unintelligible, sing-songy poetry into a pedal-treated microphone—might have the old “My kid could do this” reaction usually reserved for paint-splattered postmodern art. However, a more apt reaction might be, […]

Here Comes Your Fan: Soul Man?


0 CommentsPosted on Wednesday, April 30th, 2008

I have a lot of faith in Colin Meloy. The Decemberists frontman is capable of many wondrous things: writing a pop song that casually employs the word “balustrade,” for one; convincingly delivering lines like “My name is Leslie Anne Levine” in tenor, for two. And, truth be told, he’s written four full-length records that, […]

Fleshtone, Monday, May 5


0 CommentsPosted on Wednesday, April 30th, 2008

[ELECTRO-POP] With its elaborate makeup and custom-made sexed-up costumes, Fleshtone has always put its own twist on the rock opera. Past shows have included softcore porn-ish hot-dog outfits, jungle gyms and grown men in diapers—all of which has made the troupe one of Portland’s more controversial, not to mention polarizing. But, considering a recent […]

Bike Lane To Yr Skull Interstellar Freak Out Ensemble, April 24 At The Kenton Club


3 CommentsPosted on Wednesday, April 30th, 2008

[PSYCH-ROCK] The World Famous Kenton Club in North Portland has the most elaborate bathroom graffiti I’ve ever seen. It features the word “grout,” which Merriam-Webster defines as a “thin mortar used for filling spaces,” substituted into humorous phrases and written between bathroom tiles. Over and over again. There are hundreds of them: “The Grout […]

Jujuba, Saturday April 26


2 CommentsPosted on Wednesday, April 23rd, 2008

[AFROBEAT] Nojeem Lasisi doesn’t say much. He nods throughout a conversation, his head bobbing atop his short frame, and speaks softly in a thick Nigerian accent. But that’s not to say Lasisi isn’t a good communicator. As the leader of Jujuba, Portland’s 11-piece Afrobeat orchestra, he annihilates language and sound barriers.
“When I play my talking […]

PACIFIC UV, Longplay 2 (Warm Records)


2 CommentsPosted on Wednesday, April 23rd, 2008

[HYPNOTIC POST-ROCK] Expectations can go a long way in determining how we perceive a record. Just the cover and track list of Pacific UV’s sophomore full-length, Longplay 2, should be enough of a tip—in the land of one-word song titles and mostly white album art, orchestrated instrumental rock is king.
Yet it’s too easy to crown […]

Triple (Fuckin’) A: Amelia contemplates its accidental Adult Contempo existence.


0 CommentsPosted on Wednesday, April 16th, 2008

However Amelia’s Napster designation may read, the band’s music has never been what you’d call “easy listening.” A homegrown trio borne upon disciplined songcraft and a drum-playing chanteuse, Amelia’s sentiment-free chamber-roots music has won the hearts of contemporary adults throughout the Northwest—despite an absence of DayGlo hooks and easily parsed lyrics. Still, even for Amelia, […]

Here Comes Your Fan: The Accidental Venue


1 CommentPosted on Wednesday, April 16th, 2008

Last Monday night, I found myself wandering under the Fremont Bridge’s industrial east side. The block I was pacing—between North Albina Avenue and Tillamook Street, just off the MAX’s yellow line—was as empty as a ghost town. Half expecting to see tumbleweed roll by, I stood under the glow of streetlights repeating “1121 North Loring” […]

Scotland Barr & The Slow Drags, Friday, April 18


0 CommentsPosted on Wednesday, April 16th, 2008

[GRITTY ROOTS-POP] Scotland Barr has come unstuck in time. One minute, he’s in Catholic school. The next, he’s walking through his hometown of Santa Cruz, or holed up in Montana with a flat-chested femme fatale. He’s drunk in a no-name bar, then suddenly sucked into “a distinct image of a fat, old Charles Bukowski with […]

DUSTY YORK TRIO, Thoughts Take Flight (Diatic)


1 CommentPosted on Wednesday, April 16th, 2008

[PROGRESSIVE JAZZ] Tenor-saxophonist Dusty York’s new album, Thoughts Take Flight, is a showcase of dynamic compositions that move between countless phrases—each with their own style, tempo and feel. It’s one more praiseworthy move for an artist who’s already attracted a heap of well-deserved buzz. In addition to his own music, York’s an advocate for pushing […]

Kids Forever: Your sons and your daughters are beyond your command.


2 CommentsPosted on Wednesday, April 9th, 2008

It’s overcast and getting dark over the front steps of Southeast Portland venue/artists’ collective the Artistery. The five members of self-described “gnar shred” oufit White Fang return from a trek down to 39th Avenue for smokes and snacks. They don’t need much prodding to start talking about their band, which is spending the afternoon here […]

Love Menu, Tuesday April 15


1 CommentPosted on Wednesday, April 9th, 2008

[ACOUSTIC ENSEMBLE] It’s just past 10 am, and Emily Katz walks into Albina Press looking a little disheveled. “I’m trying to wake up earlier,” she says. “But luckily I don’t always have to.” In a city where most artists support their creativity with a service job, Katz is a self-sufficient rarity.
For the past few years, […]

SHELLEY SHORT, Water For The Day (Hush)


2 CommentsPosted on Wednesday, April 9th, 2008

[TIME-CAPSULE COUNTRY] There’s a small contingent of singer-songwriters who are quietly saving country music, and Shelley Short is one of them. It’s not just thanks to her subtly twangy voice or string-laden music. Rather than waxing naively cute, à la Jenny Lewis, or idiotic (most modern country), Short encapsulates much of what makes old-school […]

THE GOSSIP, Live In Liverpool (Columbia)


0 CommentsPosted on Wednesday, April 9th, 2008

[SOUL-PUNK] Somewhere’s between NME anointing her Coolest Person of 2006 and a “What Would Beth Ditto Do?” advice column appearing in The Guardian, the Gossip’s larger-than-life vocalist (and her band) conquered England. Award-show duets with Pulp’s Jarvis Cocker, a headlining set at Glastonbury, the nude NME cover that launched a thousand women’s studies theses…the sun […]

Keep It Like A Secret: New Bloods unearth roots, but hold the marrow sacred.


0 CommentsPosted on Wednesday, April 2nd, 2008

Amid the ruckus of sound checks and merch-table set-ups, New Bloods drummer/vocalist Adee Robeson and violinist/vocalist Osa Atoe took a moment to catch up with WW during the hectic few hours before a recent show at Portland’s Hippodrome. The all-female, all-queer post-punk outfit has inhabited the dankly romantic basements and backyards of Northeast Portland for […]

Here Comes Your Fan: What A Fool Believes


1 CommentPosted on Wednesday, April 2nd, 2008

The late ’70s and early ’80s were extravagant times: The economy was booming; high-style party drugs like cocaine were in vogue; hair was big and bodified, and beards followed suit. The music? Well, the music was smooth.
And what smoother—or more indicative of excessive wealth—than sailing? Enter posthumously named musical genre “yacht rock.” The tag, placed […]

Guidance Counselor, Wednesday & Thursday, April 2 & 3


1 CommentPosted on Wednesday, April 2nd, 2008

[ONE-MAN DANCE] Ask Ian Anderson about the lo-fi dance punk he makes as Guidance Counselor and he’ll let a serendipitous tale slip: “I didn’t listen to electronic music until I bought a sequencer on accident.” He haggled a pawn shop broker down $50, only to realize he’d confused a sequencer with the synthesizer he was […]